The intense sunlight as well as the vivid colors of the Mediterranean region were important sources of inspiration for both Mirò and Keil.Īfter Keil left Spain, he found a small studio in Paris near the Place de la Bastille. Mirò repeatedly invited him to his studio in Palma, high above the Gala Major bay. The construction of the Berlin Wall in August 1961 interrupted the relationship with his famous mentor when Nagel was trapped beyond the Wall in East Berlin.Īnother important factor in those formative years of Keil's artistic development was his close friendship with the painter Joan Miró whom he had met in Majorca, Spain in the early 1960s.
Keil was a well-known denizen of "Kleine Weltlaterne" in Moritzplatz, a meeting place for the emerging avant-garde "Junge Wilde" ("Young Fauves") artists, and he became the darling of art circles earning him the nickname the 'Wild man of Berlin" for his passion for art and living. Keil also became a regular at Herta Fiedler's, who became known as the "artists' mother". In 1961 Keil attended Baselitz's and Schonebeck's public presentation of their "Pandemonium Manifesto" at the "Grossgroschen 35" gallery. It must be noted that some of the themes were reproduced (or copied) by Keil himself in later versions of those paintings (see ). Both the style and the dating appears to be consistent and would indicate that Keil spent some time there, though no records of the (first?) New York trip can be found in the official biographies.
#Peter keil series
There exist a small series of beautiful paintings of scenes from New York City by Keil from 1959. Keil also obtained a degree as "Kunstschlosser" (art smith) several metal sculptures by Keil exist. There he met Baselitz, [Rainer Fetting|Fetting, Lupertz, and Schonebeck and made friends with Salome Schmettau and other important artists. The academy brought about some important acquaintances and contacts. Keil refined his technique and broadened his knowledge when he studied at Berlin's "Akademie fur Bildende Künste" (Berlin Academy of Fine Arts). Teaching him the painter's craft and introducing him to outdoor painting, Nagel also influenced his motifs as well as his color palette.
They often painted from nature and the young Keil learned to see his neighborhood with the eyes of an artist. As a young man, Keil accompanied Nagel on his tours of Berlin's back streets.
#Peter keil how to
Nagel introduced Keil to painting techniques, taught him realistic painting, and how to deal with colors. In the beginning, Keil studied and copied the style of the great master Picasso whom he met in Spain much later.Īt the age of 15 in 1957 Keil met the painter Otto Nagel, who became his first teacher and mentor. There he admired the works of the Expressionists and of Pablo Picasso. Young Keil was fascinated by the books he found in the art section of the local library. There he grew up in the neighborhood of grey blocks of houses, the typical backyards and the trees of the park nearby. Mother and son set out to make their way through the chaos of battered Germany to West Berlin. His father was killed on the Eastern Front during World War II. Keil was born in Züllichau in the Neumark (now in Poland). He is representative of the " Junge Wilde" style in Berlin. Peter Robert Keil (born August 1942) is a German painter.
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